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| Once a garden empty stood,
Guarded by the cherubin, Watered by a four-fold flood, With the tree of life within, Fit for all things fair and good-- Closed to all of Adam's kin. We have all transgressed the law, Listened to the serpent's word: Lusting after things we saw, Tempted by the lies we heard, Lightly entering death's dark maw, Vainly hiding from our Lord. Once a garden empty stood: Cut by man as death's domain In a rich man's neighborhood; Lent to God our saviour slain, --Last respects to guiltless blood-- Borrowed, and returned again! Still a garden empty stands, Undisturbed by serpent's lies, Undefiled by human hands, Lord, who by your sacrifice Satisfied death's grim demands, Bring us to your Paradise! |
In Zion is a Shadow I approached the problem of the language surrounding the term "heaven" in prophetic vision. Supposing that the biblical terms were meant to convey something other than "interior decoration for the home in the afterlife", I tried to explore what that might be. This text approaches the same issue on the other side. If "heaven" is not a biblical term for the afterlife, then what is? And one obvious answer is "Paradise".1
The Persion word "Pardes" simply means "garden". And, for that matter, the word "Eden" comes from a word that also means "garden." We have a few songs that use "Eden" (or "Aidenn") or "garden" in this (biblical) sense, but they do not explicitly show any conscious recognition2 of that important linguistic/semantic connection between Genesis 2 and Revelation 21. This text is clearly about that relationship.
By a happy coincidence, the critical path from Eden to Paradise traverses another garden: an opportunity to address the subject of sinning3 -- which is absent from so many of our songs about either "salvation" or "heaven".
The subject is general enough to fit easily into our services. I would suggest that its confession of sin makes a refreshing change from the Pharasaical4 "look at how well we do the ritual, God!" songs that are too often used as "preparation for the Lord's Supper."
Some traditions include a verbal "confession of sin" as part of the standard "preparation of the Lord's Supper." I do not propose that as a requirement, but surely obedience to Paul's command "let each one examine himself" is an attitude leading to confession of sins. But one looks through our books in vain for hymns expressing that attitude in this context: even such common hymns5 as Alone thou goest forth, O Lord ("...Is this thy sorrow naught to us who pass unheeding by?"); Go to dark Gethsemane ("ye that feel the tempter's power"); Ah, holy Jesus, how hast thou offended? ("...my treason hath undone thee: I it was denied thee; I crucified thee"); O Sacred head, now wounded (omitting the verse "...mine, mine was the transgression"!).
This contemplative Victorian tune, "Redhead 76", is sung in England with Rock of ages, cleft for me (and therefore also called "Petra"). In both England and America, it may be sung for various other texts: notably Go to dark Gethsemane; in our books, it is perhaps least rarely sung with Gracious Spirit, dwell with me.
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This text, © Stephen Hutcheson,
2005, and offered freely for use under a
Creative Commons License.
These studies are created by members of the West Allen Church of Christ in Allen, Texas |